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Sacred Profane

Next week, the Black & White Gallery in New York will present SACRED_PROFANE - a solo exhibition by Alicia Ross.

Ross investigates the wide range of media to provide a contemporary reinterpretation of proper and obscene, respectable and shameful.

The series of Samplers and Motherboards, Love Swing sculpture and Rockwell’s a Surrealist mixed media installation originate from images from the internet, religious texts and domestic objects – all loaded with pornographic innuendos – which Ross works and reworks using handicraft techniques, transforming them while retaining a sense of their original meaning and physical form. An interesting tension arises when pornography is integrated with handicraft, blurring distinctions between the sacred and the profane for it pokes fun at the very idea of leeway or discrepancy, and inevitably engages the viewer’s critical eye.

In the Ishihara Test Series videos, similarly-sourced imaging is fitted into the template for testing color deficiencies. Ross is savvy about her use of this scientific test for the work, aware that men are considerably more prone to colorblindness than women. Hence, Ishihara becomes an ideal mechanism with which to confound the male gaze. It becomes nearly impossible to possess that which you cannot see.

Via artcal.

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